Review: PARTYNEXTDOOR Offers Decompression Vibes On ‘PARTYMOBILE’ Album

Review: DaBaby Forces The Magic On Lukewarm ‘Blame It On Baby’ Album

10 Rap Songs That Teach You The Right Way To Blaze For 4/20

Review: Lil Uzi Vert’s ‘Eternal Atake’ Is Hip Hop Alienware

Review: Lil Wayne’s ‘Funeral’ Is A Laborious Marathon Of Drop-Dead Rhyming

Review: Eminem Orchestrates A Purposeful Massacre On ‘Music To Be Murdered By’

The Top 10 Eminem Guest Appearances

Review: ‘Bad Vibes Forever’ Is A Rough Compilation That Will Still Please XXXTENTACION Fans

6 Rappers We Need On Social Media More

Interview: Rockie Fresh Details ‘Destination,’ Chicago Inspiration & Favorite Rap Albums Of The Decade

Review: Kash Doll Abandons Her Cuteness On Cutthroat ‘Stacked’ Album

Review: Danny Brown Is An Agent Of Chaos On “uknowhatimsayin¿”

Review: Travis Thompson’s “Reckless Endangerment” Packs Endearing Qualities

Review: Shoreline Mafia’s “Party Pack Vol. 2” Isn’t Much Of A Fiesta

Review: Gashi’s Self-Titled Debut Bodes Both Skips & Slaps

Review: Young Thug Slithers To Success On “So Much Fun”

Review: Trippie Redd’s “!” Is An Obvious Attempt At Crossover Clout

Review: YBN Cordae’s “The Lost Boy” Showcases The Promise Ahead

Review: The Cool Kids & Alchemist’s “Layups” Is A Short & Savage Affair

Review: Baby Keem’s “DIE FOR MY BITCH” Is Nouveau Rap At Its Flyest

Review: Mustard Shoots For Hits But Hits Back Rim Instead On “Perfect Ten” Album

Review: GoldLink’s “Diaspora” Album Comes From The Soul

Review: Heatmakers Steal The Show On Jim Jones’ “El Capo”

Review: Beast Coast’s “Escape from New York” Is Overflowing with Flows

Review: “Father Of Asahd” Is Proof DJ Khaled’s Vision Has Gone Stale

The 10 Best Little Brother Songs

Review: Bun B & Statik Selektah’s “TrillStatik” Fulfills Rap Purist’s Dreams

Review: Review: Tech N9ne’s “N9NA” Mixes Dark & Dizzying Themes

Review: ScHoolboy Q’s Consistency Takes A Dip On “CrasH Talk” Album

Review: Yelawolf’s “Trunk Muzik 3” Is A Ghetto Cowboy Staple

Review: NAV’s “Bad Habits” Is A Monotone Masterpiece

The 20 Best Rap Albums Of All Time … From Artists Who Just Happen To Be Women

The Wu-Tang Clan Florida Man Challenge

Review: NAV Makes His 1st Decent Project With “Brown Boy” EP

Review: “Czarface Meets Ghostface” Strains Their Existing Rap Cinematic Universe

Review: Juice WRLD’s “Death Race For Love” Is A Boulder In Today’s Emo Rap-Rock Mountain

Review: Lil Pump’s “Harverd Dropout” Is The Album You Don’t Want Your Teens Listening To

Review: Gunna Masters The Art Of Beat Surfing On “Drip Or Drown 2”

10 Popular Rappers Who Have Never Been On A DJ Khaled Song

Review: Wiz Khalifa & Curren$y’s “2009” Album Is Nostalgic Kush

Review: Dreezy Is Unapologetically Herself On “Big Dreez” Album

Review: A Boogie With Da Hoodie’s “Hoodie SZN” Is Fiercely Formulaic

Review: Token Is Tediously Self-Aware On “Between Somewhere” Album

Review: J.I.D.’s “DiCaprio 2” Serves Up A Creative Cocktail Of Rapping

Review: Meek Mill’s “Championships” Dominates Its Moment If Not Much Else

Review: Too $hort Keeps His Bounce On “The Pimp Tape” Despite Its Marathon Length

Review: K Camp’s “RARE Sound” Album Is Too Flat To Flourish

Review: Jay Critch Is A One-Speed Wonder On Debut Album “Hood Favorite

Review: Action Bronson Is Both Playful & Pitiful With “White Bronco” LP

Review: Asian Doll’s “So Icy PrincessTurns The Energy Up to 10…17

Review: “Quavo Huncho” Not As Bas As Social Media Says It Is

Review: Gunna & Lil Baby Share The Same Slimey Brain On “Drip Harder

Review: Petey Pablo’s “Keep Goin’ On” Supplies A Mid-00s Rap Fix

The Evolution Of Lil Wayne’s “Carter” Series

Review: Russ’ “ZOO” Demands Playback Despite Expected Redundancies

Review: Jazz Cartier’s “Fleurever Amplifies All His Assets

Review: Trippie Redd’s “Life’s a Trip” Is A Commendable-N-Chaotic Genre Fuser

Review: B.o.B’s Alleged Final Album “NAGA” Is Aimless & Entertaining

Review: Fetty Wap’s “Bruce Wayne” Is The Outro To The Fall Off

Review: Tee Grizzley’s “Activated” Piles On The Street Sermons

Review: Smokepurpp & Murda Beatz Mix Glitz-N-Grit On “Bless Yo Trap”

Review: Famous Dex’s “Dex Meets Dexter” Introduces Listeners To Laziness

Review: Famous Features & Rich The Kid’s Swag Make “The World Is Yours” A Fun Listen

Review: “Kyoto” Proves Tyga Should Stick To Rapping, Dammit

Review: Lil Yachty’s Alter Ego Is Entertaining Enough On “Lil Boat 2”

Review: Various Artists – Black Panther: The Album

Review: Rich Brian Sheds His Trapper Aspirations For Honesty On “Amen”

Review: Lil Skies’ “Life Of A Dark Rose” Debut Shows Potential, But Eh

HipHopDX’s Best Rap Albums of 2017

Review: Lil Wayne Shows Flashes Of “Best Rapper Alive” Heyday On “Dedication 6”

Review: Tee Grizzley & Lil Durk Mesh Well But Wear Thin On “Bloodas”

Review: Review: G-Eazy Conquers His Personal Deities On “The Beautiful & Damned”

Review: Roy Woods’ “Say Less” Is An Uninterrupted Rap&B Deep Dive

Review: Kodak Black – Project Baby 2: All Grown Up (Deluxe)

Review: Rexx Life Raj’s “Father Figure 2: Flourish” Is Bars, Ballads & Breeziness

Review: Kodak Black’s “Project Baby 2: All Grown Up (Deluxe)” Pulls Its Emotional Punch

Review: “Catch These Vibes” Pushes PnB Rock From The Confines Of His Comfort Zone

Review: Chris Brown’s “Heartbreak On A Full Moon” Is An Indigestible R&B Overload

Review: Future & Young Thug’s “Super Slimey” Is Super Average

5 Rappers That Desperately Need A Hit By The End Of 2017

Review: A Boogie Wit Da Hoodie Succeeds When Playing To His Strengths On “The Bigger Artist”

Review: G Herbo Shows Maturity & Musical Progression On “Humble Beast”

Review: The Perceptionists Reunite For Fundamentally Woke “Resolution” Album

From The Archives: When Kanye West’s “Graduation” Made Him A Pop Music Behemoth

Review: A$AP Mob Reaches Synchronicity On Cluttered “Cozy Tapes Vol. 2: Too Cozy”

Review: With “Still Striving” A$AP Ferg Becomes Most Consistent Mob Member 

Review: NAV & Metro Boomin’s “Perfect Timing” Boasts Beats — But Certainly Not Bars

Review: Tyga’s “Bitch I’m The Shit 2” Not The Lifeline He Needed

Review: Z-Ro Delivers Emblematic Farewell On “No Love Boulevard” Finale Album

These File-Sharing Sites Carried The Cross So That SoundCloud Could Have Salvation

What Will Be This Year’s Best Summer Rap Tour?

Review: Buddy & Kaytranada’s “Ocean & Montana” Sounds Unerringly Like Summer

Review: 7L, Esoteric & Inspectah Deck Reunite As Czarface For Dramatic Yet Wordless “First Weapon Drawn”

7 Celebrities We’d Actually Want To See In A Rap Battle

Review: Drake’s “More Life” Playlist Basically Makes The Skip Button Useless

Review: Dreamville Rookie J.I.D Tells His Truth On “The Never Story”

Is This Year’s Rolling Loud Lineup The Best Hip Hop Festival In 10 Years?

Review: Fat Joe & Remy Ma Can’t Find A Groove On “Plata O Plomo”

Review: Big Sean – I Decided.

Is “Hush Up The Silence” Drake & Wizkid’s Second Dance?

Review: Nick Grant Attempts To Revive Witty Lyrics On “Return Of The Cool”

Review: Quentin Miller Gets His Frake On With Uninspired “Gunmetal Grey”

Review: CJ Fly’s “Flytrap” Is A Taste Of Savage Boom Bap Evolved

Review: Lil Durk Still Isn’t a Lyrical Miracle But Steadily Improves On “They Forgot”

Review: G Herbo Pauses Drill Time On His “Strictly 4 My Fans” Mixtape

Review: The Weeknd’s “Starboy” Misses Admirably On Its Pop Godhood Intent

Review: Master P’s “Louisiana Hot Sauce” Is Both Potent & Flavorful

Review: Belly Halfway Holds His Own On “InZombia”

Russell Simmons, Cuck D, DMC & More Examine Beastie Boys’ “License To Ill” Impact

Review: Chris Rivers’ “Medicated Consumption 2.0: The Refill” Seeks To Break Paternal Privilege, Again

Review: Joe Budden Crafts The Album His Career Deserves With “Rage & The Machine”

Review: Lil Keke Turns Into A Geriatric Gangster On “ABA IV”

Review: G Perico’s West Coast Bravado Unmistakable On “Shit Don’t Stop”

Review: Locksmith’s Backpack A Little Too Heavy On “The Lock Sessions”

Review: Audio Push Make Inland Empire Proud With Debut “90951”

Review: Kid Ink – Rocketshipshawty 2

Review: Travis Scott – Birds In The Trap Sing McKnight

HipHopDX Remembers Tupac’s Legacy In Full

Review: Tory Lanez – I Told You


Review: DJ Khaled – Major Key

Review: Roy Woods – Waking At Dawn

Review: Phonte & Eric Roberson – Tigallerro

Review: Lil Durk – LILDURK2X

Review: Soulja Boy – Better Late Than Never

Review: Logic – Bobby Tarantino

Review: Belly – Another Day In Paradise

4 Hip Hop Reunions That Could Potentially Happen This Year

Review: Skepta – Konnichiwa

Review: Problem – Hotels 2

Review: A$AP Ferg – Always Strive And Prosper

Review: Barbershop: The Next Cut (Original Motion Picture Soundtrack)

Review: Ramriddlz – Venis

Review: Big Sean & Jhene Aiko – Twenty88

Review: Joell Ortiz – That’s Hip-Hop

Review: Tweet – Charlene

Review: Bas – Too High To Riot

Review: Mya – Smoove Jones

Review: Trae Tha Truth – Tha Truth Pt. 2

Review: 2 Chainz – Felt Like Cappin

Review: Wiz Khalifa – Khalifa

Review: Cozz – Nothin’ Personal

Review: PRhyme – PRhyme Deluxe Edition

Review: Murs & 9th Wonder – Brighter Daze

The Top 25 Albums Of 2015

No Ceilings: 5 Lil Wayne Collaborative Albums That We’ll Never See

Review: Rick Ross – Black Market

Review: Lil Wayne – No Ceilings 2

Review: Waka Flocka – Flockaveli 1.5

Review: Jadakiss – Top 5 Dead Or Alive

Review: Puff Daddy – MMM

Another One: 8 Career Defining Guest Verses For DJ Khaled